- Stormy Weather
- What Is This Thing Called Love?
- Ill Wind
- The Man I Love
- Where or When
- I Gotta Right to Sing the Blues
- Moanin' Low
- I Didn't Know About You
- One for My Baby (and One More for the Road)
- As Long As I Live
- I Ain't Got Nothin' But the Blues
- How Long Has This Been Going On?
- It's Love
- Let Me Love You
- It's All Right with Me
- People Will Say We're in Love
- Just in Time
- Get Out of Town
dimanche 24 avril 2011
Lena Horne - Planet Jazz
Paul Mauriat - Chromatic
- Romantic Laser
- Ballade Orange
- Piccolo Paradise
- Blue Sticks for A Rainbow
- Elie Upa
- Crocodile Tears
- Pop Horn
- Back Again
- Sica Sica
- She's Like A Song
- Chromatic Dream
Henry Mancini His Orchestra and Chorus - A Merry Mancini Christmas
- The Little Drummer Boy
- Medley: Jingle Bells / Sleigh Ride
- The Christmas Song
- Medley: Winter Wonderland / Silver Bells
- Medley: Frosty the Snow Man / Rudolph the Red-Nosed Reindeer
- White Christmas
- Carol for Another Christmas
- Medley: Silent Night / O Holy Night / O Little Town of Bethlehem
- Medley: God Rest Ye Merry Gentlemen / Deck the Halls / Hark! The Herald Angels Sing
- Medley: We Three Kings of Orient Are / O Come, All Ye Faithful (Adeste Fideles) / Joy to the World
- Medley: It Came Upon A Midnight Clear / Away in A Manger / The First Noel
Billy Vaughn - I Don't Know How To Love Him
- Help Me Make It Through The Night
- Golden Earrings
- For All We Know
- Stay Awhile
- I Don't Know How To Love Him
- It's Impossible
- Me And You And A Dog Named Boo
- Amour, Amour
- To The End Of This Day
- Rise To The Sun
- Kelli
The Ray Conniff Singers - It's The Talk Of The Town
- It's The Talk Of The Town
- You're An Old Smoothie
- Buttons And Bows
- Let's Put Out The Lights (And Go To Sleep)
- It's Been A Long, Long Time
- Zip-A-Dee-Doo-Dah
- Deep In The Heart Of Texas
- Love Is The Sweetest Thing
- They Say It's Wonderful
- Hands Across The Table
- My Heart Cries For You
- Rosalie
(by Greg Adams from allmusic.com)
Born in November 1916 in Attleboro, MA, Ray Conniff gained much of his musical experience inside the home. His father, a trombone player, led a local band, while his mother played the piano. Ray began leading a local band while in high school -- picking up the trombone for the first time not long before -- and began writing arrangements for it; after graduation, he moved to Boston and began playing with Dan Murphy's Musical Skippers (besides playing and arranging, Conniff drove the band around). By the mid-'30s, he was ready for the big time, landing in New York just after the birth of the fertile swing era. He comped around Manhattan for several years, and by 1937 landed an arranging/playing job with Bunny Berigan. Two years later, he moved to Bob Crosby's Bobcats, one of the hottest bands of the time, though Conniff stayed for only a year before joining up with Artie Shaw and later Glen Gray.
With the advent of American involvement in World War II by 1941, Conniff joined the Army, though the closest he came to Wake Island was Hollywood, where he worked as an arranger with Armed Forces Radio. At the end of the war, Conniff worked with Harry James but lost interest in arranging when bop moved to center stage during the late '40s. Completely divorced from the music business, he studied conducting and music theory during the early '50s, emerging by 1954 to accept a position with Columbia Records and notorious pop producer Mitch Miller. The following year, he put his theories to practice with Don Cherry (the vocalist, not the jazz trumpeter) on a Top Five hit, 'Band of Gold.' Close on its heels were some more big hits of 1956-1957, including the number ones 'Singing the Blues' by Guy Mitchell and 'Chances Are' by Johnny Mathis, plus Top Five entries by Johnnie Ray ('Just Walking in the Rain'), Frankie Laine ('Moonlight Gambler'), and Marty Robbins ('A White Sport Coat [And a Pink Carnation]'). Columbia, undoubtedly ecstatic over the success of its arranger, agreed to let Conniff record an instrumental album, and the result, 'S Wonderful (1956), spent months on the album charts. With a similar intent (though far tamer results) to Lambert, Hendricks & Ross' album of the same year, Sing a Song of Basie -- which transcribed classic Basie orchestra solos into vocal parts -- Conniff arranged parts for an easygoing chorus of singers just as he had with instrumentalists in the past. 'S Wonderful was background instrumental music for adults who still liked to hear the human voice, and the technique grew to define the 'Muzaky' feel of much of the adult pop of the 1950s and '60s.
During the rest of the late '50s, four Ray Conniff albums reached the Top Ten, led by the gold-certified 'S Marvelous and Concert in Rhythm. Conniff did well in the early '60s as well, with popular theme albums like Say It with Music (A Touch of Latin), Memories Are Made of This, So Much in Love, 'S Continental, and We Wish You a Merry Christmas, which continued to chart during the holiday season of the next six years after its 1962 release date. The rise of rock & roll in the mid-'60s obviously hurt Conniff's record sales, though in 1966 the inclusion of 'Lara's Theme' in the film Doctor Zhivago resulted in Conniff's only significant singles-chart placing at number nine, and a million-selling album with Somewhere My Love. During the late '60s, he began to include the softer side of rock and Bacharach-David pop into his repertoire, with artists from Simon & Garfunkel to the Carpenters and the Fifth Dimension all receiving the Conniff treatment (alongside more questionable attempts, such as 'Theme from 'Shaft''). He continued to record albums and perform to his large Latin American audience into the '90s. On October 12, 2002, Conniff passed away after falling down and hitting his head. He had suffered a stroke months prior, but his health had continued to deteriorate. He was 85.
(by John Bush from allmusic.com)
Per-cus-sive Jazz - Vol. 2 - Various Artists
- Moanin'
- Fever
- Everything's Coming Up Roses
- Just in Time
- It's All Right with Me
- (Love Is) The Tender Trap
- Lullaby of Birdland
- Percussion-Aire
- Baubles, Bangles and Beads
- The Lady Is A Tramp
- I've Heard That Song Before
- If I Were A Bell
Tony Mottola, Don Arnone - guitar
Doc Severinsen - trumpet
Bobby Alexander - trombone
Phil Bodner - saxophone, oboe and piccolo
Sy Mann, Nick Tagg - organ
Buddy Weed, Andy Ackers - piano
Bobby Christian, Phil Kraus, Sol Gubin, Harry Breuer - percussion
Bobby Rosengarden - drums
Harry Breuer, Eddie Costa - vibes
Sandy Block, Frank Carroll - bass
Vintage Rolling Stones Song and Picture Book 1964
$30.00
This Vintage Rolling Stones song,picture and bio book is in near mint condition and is filled with early "Stones" music! There is a bit of wear on the upper right corner,but beautiful condition! If you collect the 60's, don't ROLL past this one, or you won't get no, SATISFACTION!! Thanks for dropping by VMA!"
Vintage Mary Martin South Pacific Broadway Cast 1949
$8.00
Columbia ML4180, 1948 MINT record, VG+ Cover(split 1/2 on bottom edge. This album features the ORIGINAL 1949 Broadway Cast and the amazing music and lyrics of Rogers and Hammerstein!!! Standards like " Some Enchanted Evening,Younger Than Springtime, Gonna Wash That Man Right Outta My Hair and There's Nothin like a Dame! Curtains UP! The orchestra begins! Enjoy! VMA"
Vintage Jazz at the Hollywood Bowl 1956
$20.00
This Vintage Verve Label album was recorded LIVE at the Hollywood Bowl in 1956! The Artists Line-up reads like a JAZZ HISTORY BOOK! Ella Fitzgerald,Oscar Peterson,Roy Eldridge,Ray Brown, Louis Armsrong, Buddy Rich and MORE GOLD jazz! The great part? I don't think this double set has ever been played! MINT condition! This was a historical evening at the Bowl and a collection of ALL-STAR JAZZ GREATS!"
The Bachelor USA Wii-APATHY
Developer: Warner Bros.
Genre: Trivia / Game Show
Release Date: Aug 25, 2010
ESRB: TEEN
"
vendredi 1 avril 2011
The River Jazz Café
Le club francilien propose une formule originale pour les tympans et les papilles. Installé à Issy-les-Moulineaux, The River Jazz Café organise deux fois par semaine le Jazz à la Carte. Si l’expression fait bien évidemment référence aux assiettes garnies qui accompagnent les concerts (« formule dîner » comme on dit dans le jargon), le club francilien propose également aux spectateurs-gastronomes de choisir les standards qu’ils souhaitent entendre réinterprétés par les musiciens du soir. L’expérience se révèle d’autant plus alléchante si l’on sait que l’altiste Géraldine Laurent et son quartette seront de la partie le 8 décembre. On ne pouvait trouver meilleure candidate pour ce genre d’exercice que celle qui manie les joyaux de Gigi Gryce à merveille sur son dernier disque.
Le nouveau So Jazz est en kiosque
Votre magazine sera dorénavant en kiosque le 15 du mois, pour vous livrer au plus tôt les informations sur l’actualité du jazz à venir.
Feuilletez le magazine ici
En ce début d’année, le vent nouveau se lève à l’Est. Depuis plusieurs années déjà, Tigran Hamasyan est le jeune pianiste à suivre. Impliqué dans différents projets, récemment celui de Dhafer Youssef, le prodige arménien a fait le métier, avec les autres. Cette année, il franchit le pas. Il vient de signer sur une major et se présente en solo avec un album où le jazz et ses racines dialoguent dans des airs épiques, riches de mouvements, de grands espaces, de fables puisées dans l’histoire ancestrale de son pays. Il y tient.
Monk, le moderne ultime, par sa liberté, sa singularité au moment de relier l’histoire du jazz, du stride au bop, de Harlem aux clubs de la 52e rue, à New York dans les années 40. Une histoire qui s’écrit aujourd’hui dans un cadre plus éparpillé, mondialisation et circulation des hommes et des idées obligent.
Ambrose Akinmusire, Mark Guiliana, Cécile McLorin Salvant s’inscrivent dans ce renouveau permanent. Chico Freeman lui, depuis Sun Ra, l’A.A.C.M. de Chicago jusqu’au funk d’Earth, Wind & Fire, a tout joué. Sa musique, entre tradition et expérimentation, renvoie à un processus de rencontres, d’expériences, de transmission in vivo qui a peut-être reculé. Le jazz y a sans doute perdu.
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"L'École municipale de musique
Tél : 01.43.08.14.91
Ouverte à tous.
Enfants, à partir du CP pour l’initiation et du CE1 pour la formation musicale, Adultes.
Ouverte à tous les enfants, à partir du CP pour l'initiation, et du CE1 pour la formation musicale.
Retrouvez la dernière lettre d'information de l'école de musique en cliquant ici
Disciplines enseignées
Disciplines collectives : classe d’orchestre, ensemble à cordes, chorale enfants et chant.
Tarifs annuels
Solfège enfant avec droits d'inscription : | 165,50 € |
Solfège adulte avec droits d'inscription : | 192,50 € |
Solfège + instrument enfant avec droits d'inscription : 20 mn de cours individuel (Initiation et débutant 1) | 268 € |
Solfège + instrument enfant (à partir débutant 2) vace droits d'inscription : de 30 mn à 45 mn de cours individuel | 273,50 € |
Solfège + instrument adulte avec droits d'inscription : 20 mn de cours individuel (Initiation et débutant 1) | 404 € |
Solfège + instrument adulte (à partir débutant 2) avec droits d'inscription : de 30 mn à 45 mn de cours individuel | 412 € |
Instrument supplémentaire enfant : | 147 € |
Instrument supplémentaire adulte : | 199,50 € |
Orchestre ou orchestre à cordes seul : | 58 €. |
Diapositive 4